This has been a bucket-list costume for ages, yet I finally made it as a quickie last-minute version in less than a month. The occasion came about because Bella Donna Historical Performers were singing at the PEERs Bal des Vampires right after Halloween, and they decided that their costume theme would be around the Bram
Egads, I haven’t posted here since Costume College 2015. I did go to CoCo last year, but it was super-abbreviated — I flew in late Friday, taught one class Saturday morning, wore a modern cocktail dress to the Gala, and drove back with Sarah and Francis on Monday. I didn’t make any costumes last year,
I’m not ignoring my costume blog, but I really haven’t been “costuming” per se that much. Sure, I dress up for costumed events maybe once every six weeks, but I go huge stretches between making anything new. Until, dun dun dun, Costume College! Well, at least this year. I’ve gone back and forth over the
For the Investiture of the Prince and Princess of the Mists, I helped sew the outfit worn by her highness Marguerite. I made the yellow damask sideless surcote that was worn over a blue velvet gown made by Sarah. I also made a blue velvet and yellow silk hood that was worn under the coronet.
This is the gown I made to portray Veronica Gambara, the hostess of the “Feast in 1530s Correggio” at the SCA’s Collegium Occidentalis XLVII. I was running the event and wanted to cap off the day with a festive meal set in a specific time and place in history (which is not typically done in
Off & on for the past 20 years around Halloween, my husband & I have held a party we call the Famous Dead Person’s Ball. There are only two rules in this afterlife: You must come as somebody at least marginally famous & at least temporarily dead. We’ve had friends come as everyone from Che
The Société des Lumières held a Turkish-themed salon last night — because, of course, all things exotic & oriental (as it was called then) were quite the rage in the 18th century! So this was an excuse to wear turbans, Indian pajamas, caftans, kimonos, & other “foreign” garb to our articles of undress for a
I had an amazing time at the Greater Bay Area Costumer’s Guild’s Last Dinner on the Titanic, which commemorated the 100th anniversary of the ship’s sinking on April 14, 2012. This costumed dinner & dance took place at the Bellevue Club in Oakland, CA. Everyone was seated at tables of 10, & our group decided
Last Saturday was Much Ado About Sebastapol (MAAS), where Sarah & I debuted Fockett & Cox. This was a different type of Renaissance faire, in that everyone was portraying one specific English village (Fenford, circa 1578), and the faire had an educational mission tied into local school’s curriculum. The artisan guilds (where we were stationed)
In one of my insomniac moments last night, I fantasized about making a new black 1570s gown to wear to Much Ado About Sebastapol. *sigh* There are many things stacked against that happening, the biggest being I’m critically low on time, and second, I’d need a new pattern draft, ideally fitted by someone better than
At the San Jose Renaissance Faire this August, Sarah and I finally came up with a fantastic idea for what our renfaire personas and gig would be. This was the first renfaire either of us had worked in a million years, and the first one all of us were working together under the “guild” of
After the initial wearing of this gown, I added more trim (because really, everything in my world needs more trim). And then I wore it again, several times, and with different accessories. And when our household, the Chateau Rose, participated at the first-ever San Jose Renaissance Faire in August 2011, I wore the gown and
Wherein I cross-dress to portray part of Marie-Antoinette’s court as we frolic at the Petit Trianon…,
Finished and worn at Dickens Fair! More pictures on Flickr.
At the Art Deco Society of California’s Gatsby Summer Afternoon 2009… See the rest of my Gatsby pix on Flickr.