Two things you need to know about this dress: 1) Marguerite du Royon‘s heraldry is purple and gold with three fleur de lys, 2) Marguerite started her reign as Princess of the Mists wearing 1490s and has proceeded to wear later and later garb until this, the end of her reign, where she wanted to
This is a custom-made Venetian courtesan gown commission for Lady Léa de Villaverde, first worn at the SCA West Kingdom 12th Night, January 2015. Materials were provided by my client. She wanted a late 16th-century Venetian gown in the classic “courtesan” style with the ladder-laced front, made of a rich damask from her fabric stash.
For a change, I’m not making anything for myself, and instead, I’m sewing a bunch of stuff for other people. In time for the SCA’s 12th Night, I took on a bunch of commissions to sock away a little money. It’s both stressful because I’m doing this after I work 40+ hours at my office
12th Night inches closer, & so do my various projects. I think my crazy wheel farthingale gown will be a go. I got the bodice & skirt attached, so it’s a real dress now. Still needs that weird tuck at the farthingale edge, plus hemming, & all the multitudes of accessories (ruff! wig! shoe rosettes!
You’d think I would have made one of these by now, given that “Elizabethan” is my One True Costuming Love & late 16th-century lowland Scots is my SCA persona. But no, I’ve yet to make the ever-practical English fitted gown. So it’s about time. You’ve seen all the period images before, but I’ve added a
Making lemonade out of lemons — since my hair fell out from chemo, this seems like a good time to go for one of those freaky-cool shaved-forehead styles that has popped up in various points of history. Go big or go home! At first, I though of Burgundian 1470s. It’s a period I don’t know
And then, on the last weekend before the con, I finally made it. Just the wire rebato, not a new outfit (perhaps another day). I decided I could wear it with some 16th-century things in my wardrobe, in particular, the rebato could hold up the 1590s ruff quite well. First, I sketched a design of
This idea is brought to you courtesy of strange dreams about CC27. Kevin and Radar were each trying to get me into their own masquerade entries, both very complicated and strange. Kevin’s had s’thing to do with machinery he was testing for work and demonstrating it on stage with lights and costumes. Radar’s featured interpretive
Closeup of the finished ruff, worn at SCA 12th Night 2009 — complete photos from the event (and full outfit images) on Flickr.
Beading — Hard to tell but the red dots are faux garnet beads between each curl. About a quarter done. Man, iPhone camera blows for macro pix! Looks better in person, promise. But I’m sick of sewing tonight. Gonna finish off this bottle of wine and call it a night 🙂 *sigh* Wish I had
Ruff has been painstakingly heated ‘n pleated. Used a vintage curling iron heated in a dry saucepan (which I might have ruined in the process; should check that) — could get about 8 pleats set until the iron cooled off. Then I could pin down 8 more while the iron heated up again. And I
Ingredients: 4 yards cotton or linen, tightly cartridge-pleated 4 yards lace trim*** (optional, but recommended) cotton or linen neckband to fit sturdy thread 2 cups liquid starch 2 cups water metal safety pins Assemble first four ingredients into ruff. Mix liquids in bowl, and soak ruff in liquid thoroughly. Wring out liquid and let drip-dry
Yes, I’m actually baking my ruff. See page 126 of Patterns of Fashion 4. Hope this works!
Finished hand-sewing gold lace on edge of hemmed fabric strip for 1580s/1590s head-on-a-plate ruff. Now, I guess I start cartridge-pleating the ruff and/or make the neckband — that is to say, assemble the ruff? Later that day… Fingertips iz sore. Finished cartridge-pleating a smidge less than 4 yards into a 16″ neckband. Didn’t attach it
Started working on my ruff for 12th Night. A quarter of the way through applying the lace by hand (ew, but necessary).