{"id":2949,"date":"2012-11-24T16:06:06","date_gmt":"2012-11-24T23:06:06","guid":{"rendered":"http:\/\/trystancraft.com\/costume\/?p=2949"},"modified":"2012-11-24T16:06:06","modified_gmt":"2012-11-24T23:06:06","slug":"zimarra-for-12th-night","status":"publish","type":"post","link":"https:\/\/www.trystancraft.com\/costume\/2012\/11\/24\/zimarra-for-12th-night\/","title":{"rendered":"Zimarra for 12th Night"},"content":{"rendered":"

I didn’t plan on making anything new to wear at 12th Night<\/a> because I just made a nifty new 1530s dress<\/a> for Collegium, so of course I wanted to wear that. But I was asked to join the court of Obidiah & Ascelin, and her royal highness requested a festive, wintery 16th-century theme for their coronation, specifically with hats & coats. How could I deny this honor? And besides, I’ve been wanting to make a zimarra — a loose, coat-like garment for Italian period dress — anyway, so I figured I could simply make one to go with my Italian gowns … perhaps even the 1530 dress, tho’ that’d be blurring the lines of historical accuracy a bit in the silhouette. I have some gorgeous deep red, white, & gold silk-cotton blend damask in The Stash which should be perfect for this, as well as a lot of gold trims. And maybe even faux fur. We shall see.<\/p>\n

First, inspiration images!<\/p>\n

\"1567 <\/a>
1567 – Unknown Lady by Domenico Riccio (image source: Palazzo Thiene) <\/div> <\/div> <\/div>
\"1560s <\/a>
1560s – Couple by Niccolo dell’Abbate (image source: aneafiles.webs.com) <\/div> <\/div> <\/div>
\"1560 <\/a>
1560 – Irene di Spilimbergo by Follower of Titian (image source: National Gallery of Art) <\/div> <\/div> <\/div>
\"1555 <\/a>
1555 – Unknown Lady by Francesco Salviati (image source: National Gallery of Art) <\/div> <\/div> <\/div> <\/div>
\"1550s <\/a>
1550s – Eleonora di Toledo by Bronzio (image source: Wikimedia Commons) <\/div> <\/div> <\/div>
\"1551 <\/a>
1551 – Liviada Porto Thiene by Paolo Caliari Veronese (image source: Walters Art Museum) <\/div> <\/div> <\/div>
\"1532 <\/a>
1532 – Giulia Gonzaga by Sebastiano del Piombo (image source: Wikimedia Commons) <\/div> <\/div> <\/div> <\/div> <\/div>\n

These portraits show several of the things I’m going for: long, loose shape to go over a full gown; short or no sleeves to show the undergown’s sleeves; a variety of collar styles to choose from; fur lining &\/or trim; gold &\/or embroidered trims; & sticking to a general 1530s-1560s time frame. The basic shape is always the same — a loose overgown without a waist seam & generally the back is flat, without pleating (that appears to be a very late-16th-century addition & mostly in English & Dutch versions of loose gowns). The Italian version in this century tends to have sleeves (unlike the earlier giornea), whereas the English style of loose gowns seemed to be as often sleeved or sleeveless. However, for 12th Night, I may leave off the sleeves & make them later, depending on if I do wear this with the giganto-sleeved 1530s gown or something else.<\/p>\n","protected":false},"excerpt":{"rendered":"

I didn’t plan on making anything new to wear at 12th Night because I just made a nifty new 1530s dress for Collegium, so of course I wanted to wear that. But I was asked to join the court of Obidiah & Ascelin, and her royal highness requested a festive, wintery 16th-century theme for their<\/p>\n

Read the Rest of this Post…<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[114,116,166,203],"class_list":["post-2949","post","type-post","status-publish","format-standard","hentry","category-16th-century","tag-historical-portrait","tag-historical-research","tag-sca-garb","tag-zimarra"],"yoast_head":"\nZimarra for 12th Night | Trystan's Costume Closet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.trystancraft.com\/costume\/2012\/11\/24\/zimarra-for-12th-night\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zimarra for 12th Night | Trystan's Costume Closet\" \/>\n<meta property=\"og:description\" content=\"I didn’t plan on making anything new to wear at 12th Night because I just made a nifty new 1530s dress for Collegium, so of course I wanted to wear that. 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Needs hemming & a short collar. But I will probably go sleeveless at this point. See, I still have this crazy idea to wear it over the 1530s gown as more of a giorn\u00e9a or perhaps it might be\u2026","rel":"","context":"In "16th Century"","block_context":{"text":"16th Century","link":"https:\/\/www.trystancraft.com\/costume\/category\/16th-century\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.trystancraft.com\/costume\/wp-content\/uploads\/2012\/12\/zimmaraprogres3.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3969,"url":"https:\/\/www.trystancraft.com\/costume\/2013\/12\/26\/12th-night-progress\/","url_meta":{"origin":2949,"position":3},"title":"12th Night Progress","author":"Trystan","date":"December 26, 2013","format":false,"excerpt":"12th Night inches closer, & so do my various projects. I think my crazy wheel farthingale gown will be a go. I got the bodice & skirt attached, so it's a real dress now. 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