By Baroness Violet Ruthvene in the SCA This is an accompaniment to a lecture class I taught at the West Kingdom Arts & Sciences Tourney in June 2014. The goal is to help those running SCA events increase attendance by using modern public relations techniques. Ways to Promote Your SCA Event: Use all of
Research and Theories: Linen caps and coifs are a well-known part of the Elizabethan wardrobe for women and even men. In their simplest form, plain linen caps were worn at all levels of society, often as a protective layer between the hair and a hat or even as a nightcap. Many women’s embroidered coifs survive
Or as I tend to think of it: Fancy Man Bags! Because the discerning Elizabethan gent needed a sassy little purse to carry his hankie or a few coins in. Women seemed to hide pockets & such in their voluminous skirts, while the men showed off their goods, ehem, with highly decorated purses that were
One of my favorite styles of 16th-century headgear is the tall crowned hat. It was first worn by men starting around the 1570s mostly in England, the Low Countries, & Spain. Women soon adopted the style, particularly when worn with high-necked doublet-style bodices. This fashion was hugely popular, which lead to criticism by the early
By Lady Violet Ruthvene in the SCA This is an accompaniment to a lecture class I taught at the West Kingdom Collegium in November 2013. The goal is to help people in the Society for Creative Anachronism create largess — the small gifts that royalty give to their subjects, such as to welcome visitors, to thank
Recently, I entered an Arts and Sciences competition at an SCA event. The category was Performing Arts, Original Composition. So I wrote a sonnet in the Elizabethan form circa 1590s-1600 (commonly called the Shakespearean sonnet style, although as I showed in my documentation, he did not create this form, he simply popularized it). While I
The heart-shaped cap most famously worn by Mary Queen of Scots goes by many names and its construction has been up for debate. The style was not just worn by this queen — it was common among upper-class women of the late 16th century in England and France. While modern costumers may know it as
This article is an accompaniment to a lecture and demonstration class I taught at the SCA West Kingdom’s Collegium Occidentalis XLV in November 2010 and at Costume College in July 2011. It’s intended as a practical lesson in how to recreate the look of upper-class hair fashions of late 16th-century England. The first half of
By Lady Violet Ruthvene in the SCA This is an accompaniment to a lecture class I taught at the West Kingdom Arts and Sciences Tourney in June 2011. The goal is to help people in the Society for Creative Anachronism who want to start teaching classes in the SCA. This is the handout I gave,
By Lady Violet Ruthvene in the SCA This is an accompaniment to a lecture and demonstration class I taught at the Province of Southern Shores’ Newcomers Tourney in May 2011. This is intended as a guide to help those starting out in the Society for Creative Anachronism to improve their costumes in easy, budget-friendly ways.
By Lady Violet Ruthvene in the SCA, written to help the West Kingdom prepare for a masked ball Two great medieval traditions made mask-wearing popular among the citizens of the Republic of Venice: the festival of Carnevale and the Commedia dell’ Arte theater. Between these, you have a variety of mask styles to choose from,
By Lady Violet Ruthvene for the SCA West Kingdom Arts & Sciences Tourney 2009 Resources Larsdatter.com Pouches & Purses: Excellent collection of image links, including extant pieces and artwork. Museum of Bags and Purses: A Dutch museum with a nice photographic timeline of purse history. Also has a catalog book, sometimes available at Pepin Press.