While many of us simply adore immersing ourselves in past times, the history, the fashions, the literature, and all the ephemera, one thing we take for granted is our modern corrective eyewear. If you’re lucky to have 20/20 vision, or still young enough that the natural degeneration of eyesight due to aging hasn’t caught up
Specifically, this is a review of Patterns of Fashion 5: The Content, Cut, Construction, and Context of Bodies, Stays, Hoops, and Rumps c. 1595-1795 by Janet Arnold, Jenny Tiramani, & Luca Costigliolo with Sebastien Passot, Armelle Lucas & Johannes Pietsch, to give the full title and credit to all involved. It’s on sale exclusively from
Everyone sees the pictures online — a francaise dinner, a steampunk picnic, Costume College, a cosplay meetup, the Fête Galante, Venetian Carnevale. The idea is the same, it’s a bunch of friends in fabulous costumes having loads of fun! How can you get yourself some of that??? Sure, you can try to wrangle an invite
This is the presentation to accompany the lecture I gave at Costume College 2018. The topic was a look at the documented images of Mary Queen of Scots from her lifetime and her wardrobe inventories of 1556-1569. Mary Queen of Scots Wardrobe Unlock’d – Costume College 2018 class PDF In addition to many online images
This is the presentation to accompany the lecture I gave at Costume College 2018. The topic was what a fashion accessory that we derisively call a “head necklace” over on Frock Flicks, and here I explain that there are a few times and places when this item actually was worn and isn’t snarkable. Myths, Truths,
This is the presentation to accompany the lecture I gave at Costume College 2017. The topic was what women wore during the height of the suffrage movement at the turn of the 20th century, what colors were symbolic of the movement in the U.S. and U.K., and how the symbols were used. Suffragette Fashions: Myths
This is the presentation to accompany the lecture I gave at Costume College 2016. The topic was the evolution of the gothic subculture’s fashion, rising out of punk in the 1970s and combining historical fashion elements with music, literature, art, and pop culture, plus how gothic fashion became high fashion. Punk + History = Gothic
This is the presentation to accompany the lecture I gave at Costume College 2015. The topic was how black clothing has been worn over the centuries, sometimes for mourning the dead but also for utilitarian reasons and for fashion by different classes in western Europe. Black, It’s Not Just for Mourning – Costume College 2015
It’s easier than you might think Have you ever dreamed of waking up in a canopied bed, throwing open the curtains to look out over rolling green hills, then dressing in your finest period costume to stroll about those hills with your best friends? Do you fantasize about candlelit dinners in wood-paneled rooms with you
Note: I’m not a doctor, and I don’t even play one on the internet. This article does not constitute actual medical advice — it’s just what I’ve done, what works for me, and what I think is a good idea. Consult with professionals so you don’t hurt yourself or make what hurts worse! It’s a
Research and Theories: Linen caps and coifs are a well-known part of the Elizabethan wardrobe for women and even men. In their simplest form, plain linen caps were worn at all levels of society, often as a protective layer between the hair and a hat or even as a nightcap. Many women’s embroidered coifs survive
Or as I tend to think of it: Fancy Man Bags! Because the discerning Elizabethan gent needed a sassy little purse to carry his hankie or a few coins in. Women seemed to hide pockets & such in their voluminous skirts, while the men showed off their goods, ehem, with highly decorated purses that were
One of my favorite styles of 16th-century headgear is the tall crowned hat. It was first worn by men starting around the 1570s mostly in England, the Low Countries, & Spain. Women soon adopted the style, particularly when worn with high-necked doublet-style bodices. This fashion was hugely popular, which lead to criticism by the early
By Lady Violet Ruthvene in the SCA This is an accompaniment to a lecture class I taught at the West Kingdom Collegium in November 2013. The goal is to help people in the Society for Creative Anachronism create largess — the small gifts that royalty give to their subjects, such as to welcome visitors, to thank
It’s a known fact that I love wacky hairstyles (also, hats). Big, weird shapes sprouting off one’s head please me inordinately. So naturally, I’ve been drawn to the horn-shaped style worn by Venetian upper-class women in the mid- to late-16th-century. I’ve given one try at making hairpieces to replicate this style, tho’ I’m not quite