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Janet Arnold is a crack-smoking weasel

Posted on September 15, 2007 by Trystan
WTF

Seriously, why do you costumer folk love her? Nice books, but she made diagrams of clothing worn by mutant pygmies. Im-freakin’-possible to scale up from for real people, unless you enjoy frustration or are some kind of architectural genius.

I was seduced into thinking I might use those books for genuine costuming applications (as opposed to “ooo shiny!”) because I had such good results scaling up from Hunniset and the Tudor Tailor books. But those patterns are actually made for human beings, and, well, they’re real *patterns* not drawings of freaky antique clothing items that survived because they were too small to be worn out by people or they were bizarre examples that nobody wanted to scavenge into usable clothing for normal-sized people.

Oh, so can you guess how I ended up spending my last couple hours? Yeah. The sewing room garbage can overfloweth with muslin and tracing paper now because I tried to use the scale pattern from Janet Arnold for a caraco. Four pieces for a bodice? Who are you kidding? Even my flatter-shaped 16th-century bodice has five pieces. The Arnold caraco back pieces were way too skinny no matter how much I enlarged. Also, the skirting was extremely wasteful of fabric, which struck me as very odd in an era of narrow fabric widths and overall thrift and clever yardage use (according to Sally Queen, anyways). Jackets were supposedly popular with the middle-classes, so why waste all this width?

Anyway, after much annoyance and one wadding of the muslin in a ball and shoving it in the trash can, I finally decided to do what I’d said I might do in the first place: simply draw long, full caraco-style skirts onto the Butterick bodice pattern I used for Cosi Fan Tutte. The bodice fits like a dream (it’d better, after three muslins last year!) and has quite a few nods to historical accuracy so it does “pass” IMO.

Dug the muslin out so as to not waste *that* fabric, reused most of the pieces into the Butterick bodice, and *ta da* now I have a great caraco muslin. Just need to even the skirting hem, since I couldn’t decide where I wanted it to end. Plus I have to decide the front treatment — it’ll be zone-like, and I may want some little tabs on the bottom. Not sure.

Moral of the story: Patterns are my friend. Screw that drafting BS. Not like I’m a Clydesdale, y’know.

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Posted in 18th Century | Tags: blue caraco, pattern drafting |
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I should have worn heels &/or more makeup, lol. But @sashavelour’s show at the Berkeley Rep was magnificent! Funny, smart, thinky, sassy, everything I needed. This week needs more sparkle! I’m slowly unpacking from my trips & the 1st things out were these fun buys from Du Barry Fashions in Las Vegas. Purple glittery leggings, a pink rhinestone pill case, a tiny tiara to top a wig, & some cool deco-esque earrings. Forgot to post this costume earlier — I wore this skull-print jacket (made from a tablecloth), plus a new purple hat, at our chateau last week. Look where I get to stay this week! @maisondechastenay has this beautiful room for me with cat pillows on the bed 😻 The house is beautiful & I’m amazed at the work @lisavandenberghe has put in to make this such a charming & comfortable B&B. Hanging out with my bestie at another 18th-century party in France! Yesterday was hot & humid at Vaux le Vicomte, but @fannywilk’s pink apero party was delightful! Spooky sunset shenanigans in the chateau’s upper story. Just a little walk around our chateau yesterday! Brunch al fresco at the Donjon!

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