I’ve had this fabric earmarked for Leonard’s 16th-century suit for ages, and I finally bit the bullet and commissioned Jenn to make it for me. After all, she’s the pro, having made countless gorgeous such suits for fellas in the Court of St. George. We had a great time planning the design and during the
My favorite outfit of Carnevale 2022 turned out to be this dark confection made mostly of purchased items with loads of alterations and embellishments. And that rather sums up my ideal approach to costuming! Actual sewing irritates me, but taking various things and hacking them into my vision and loading them with trim is what
Despite my oft-stated distaste for Regency / Empire / 1790s-1820s costume, that’s what I’ve made and worn for all of 2021. I guess that’s what global pandemic does to you? Weird. Really freakin’ weird. Well, as easy as it was to sew that pelisse and evening gown, that was all I wanted to have to
At least two years ago, I was inspired by the HBO series Gentleman Jack (2019) to start a jacket with the intention of recreating this outfit worn by Anne Lister: I mean, really, I already had a vintage top hat! So I started with a basic Period Impressions pattern, fitted it to me, and cut
With Bridgerton still on my mind and a massive longing to travel again after being cooped up in my house by myself for a year and a half, I took a leap of faith and bought a ticket to the Empire Party at the Grand Trianon of Versailles. Which meant making another 1810s-ish costume, a
Of all the things to help bring back my costuming mojo during the pandemic, I never thought it would be a Regency romance! But Bridgerton is so ridiculously over-the-top and plays with historical fashion in a way that sang to my DGAF-ness of the times. Also, it’s a known issue that I despise the typical
I randomly bought this gown from Armstreet — they call it the “Found Princess” Chemise — during a brief window when it was available in black. I’m so glad I did! It’s made of a soft, floaty cotton-blend fabric that feels delicious and, though sheer, has enough substance to not be obscene. While made as
The global pandemic, quarantine, lockdown, and all that really put a damper on my creativity and any interest or motivation I had to sew. I had one spurt of sewing-related energy back in April 2020, and I made this 1940s retro pattern, Butterick 6266, in bat-print fabric. All stash materials except for the belt buckle,
I bought this 1920s dress from LaVieDelight on Etsy several years ago, and I’m so pleased because it’s an actually flattering and also appropriate period shape. Many ’20s styles don’t work well on curvy bodies, but somehow this does. Plus, being a ‘little black dress,’ it’s perfect for accessorizing for different events. Which I’ve done!
One of the events I planned to attend at Venetian Carnevale 2020 was the “red party” held by friends — it was a dinner where guests had to wear a little bit or a lot of red. I went through quite a few costume concepts for this one because I thought I’d wear something from
One of the events my friends and I planned to attend at Venetian Carnevale 2020 was the Napoli Ball, and 1860s evening attire was requested. But Victorian ballgowns bore me, so I decided that Leonard should branch out from the 18th century. I bought a black wool tailcoat tuxedo, a waistcoat, and a shirt. I
For Venetian Carnevale 2020, I wanted some kind of harlequin outfit because that’s so iconically “carnevale.” But it had to be in my favorite gothic colors, and I couldn’t find any fabric remotely close to that. The obvious solution was to make my own, but wow, that sounded difficult! So I talked to my mom
Many of us have seen this delightful painting with an 18th-c. gent wearing leopard-print breeches and waistcoat. It’s the generically named “An Interior with Elegant Company” by Venceslao Verlin (d. 1780). While I can’t find much about this specific painting, there are other images from around 18th-c. Europe of men and a few women wearing
The final gown I wore to the Portland Vampire Masquerade Ball turned out pretty close to my vision. My mom helped out by doing a lot of the appliqué of the motifs on the forepart (though once I saw how the bat-shaped sequins looked, I had to sew them all over the stomacher myself). Accessories
I’ve only been wanting to make this gown for a decade. No lie — my first blog post about it was in 2009, and I’ve loved the portrait for longer. So for my birthday this year, I planned a fancy dress party where I would be the queen, wearing this dress, surrounded by my ‘court’