One last-minute outfit for Costume College 2024 was very loosely inspired (pun intended) by the 1910s Austrian dress reform designs of Emilie Flöge. These styles were corset-free and intended to give women more liberty and freedom of movement. Flöge had a successful boutique with her unconventional fashion designs, but she’s also known as the muse of
After Carnevale 2024, I was randomly hankering to make something! And I had this gorgeous burgundy liquid metallic velvet in my stash that somehow said “princess gown” like Sleeping Beauty style. Which technically is a mid-15th-century Burgundian style like this Pinterest board and these: Complete with the pointy hennin, of course. But I wasn’t interested
I’ve had this fabric earmarked for Leonard’s 16th-century suit for ages, and I finally bit the bullet and commissioned Jenn to make it for me. After all, she’s the pro, having made countless gorgeous such suits for fellas in the Court of St. George. We had a great time planning the design and during the
While many of us simply adore immersing ourselves in past times, the history, the fashions, the literature, and all the ephemera, one thing we take for granted is our modern corrective eyewear. If you’re lucky to have 20/20 vision, or still young enough that the natural degeneration of eyesight due to aging hasn’t caught up
I have a hankering to recreate Charlotte Brontë’s going-away dress, c. 1854. Specifically to wear at Costume College in 2015, since the theme will be “Plucked From the Pages,” aka books and literary characters. I have a pattern (really just a scaled diagram) taken from the actual dress that is at the Brontë Parsonage Museum
Or as I tend to think of it: Fancy Man Bags! Because the discerning Elizabethan gent needed a sassy little purse to carry his hankie or a few coins in. Women seemed to hide pockets & such in their voluminous skirts, while the men showed off their goods, ehem, with highly decorated purses that were
One of my favorite styles of 16th-century headgear is the tall crowned hat. It was first worn by men starting around the 1570s mostly in England, the Low Countries, & Spain. Women soon adopted the style, particularly when worn with high-necked doublet-style bodices. This fashion was hugely popular, which lead to criticism by the early
You’d think I would have made one of these by now, given that “Elizabethan” is my One True Costuming Love & late 16th-century lowland Scots is my SCA persona. But no, I’ve yet to make the ever-practical English fitted gown. So it’s about time. You’ve seen all the period images before, but I’ve added a
Making lemonade out of lemons — since my hair fell out from chemo, this seems like a good time to go for one of those freaky-cool shaved-forehead styles that has popped up in various points of history. Go big or go home! At first, I though of Burgundian 1470s. It’s a period I don’t know
You might think of the purse as a pretty modern invention. Not so! People have needed to carry their crap around for millennia, both women & men. Here are some nifty purses to inspire your next project.
In May, I was honored to be chosen as one of Queen Etaine’s artisans. In the SCA’s West Kingdom, the Queen’s Artisans are people (non-Laurels) recognized for their artistic ability and usually given some creative goal to work on during the reign. Since Etaine is a costuming Laurel, she had a very specific and exciting
While I have a few wee SCA projects to work on at the start of this year, my main sewing goals between January and May are going to be all 18th century, all the time. Why? Because we’re going to France, baby! We are renting a chateau in the south of France with the same
I didn’t plan on making anything new to wear at 12th Night because I just made a nifty new 1530s dress for Collegium, so of course I wanted to wear that. But I was asked to join the court of Obidiah & Ascelin, and her royal highness requested a festive, wintery 16th-century theme for their
This is the gown I made to portray Veronica Gambara, the hostess of the “Feast in 1530s Correggio” at the SCA’s Collegium Occidentalis XLVII. I was running the event and wanted to cap off the day with a festive meal set in a specific time and place in history (which is not typically done in
There’s not much to show for it, but really, I’ve started and am, in fact, well on the way with my gown to portray Veronica Gambara at the Collegium class “A Feast in 1530s Correggio.” The gown is a loose interpretation of the portrait shown on the right. Except I’m using burgundy velveteen from The