For the upcoming renfaire Much Ado About Sebastapol, I need a partlet to wear with my Venetian courtesan gown when I perform with Bella Donna. This small addition to my outfit will make it even more historically accurate & a bit less, um, busty, which is better for this very family-friendly faire. So I looked
It’s a known fact that I love wacky hairstyles (also, hats). Big, weird shapes sprouting off one’s head please me inordinately. So naturally, I’ve been drawn to the horn-shaped style worn by Venetian upper-class women in the mid- to late-16th-century. I’ve given one try at making hairpieces to replicate this style, tho’ I’m not quite
New costumes start from the skin out, so that means new undies. Sure, I have shifts / smocks / chemises (depending on how historically accurate you want to be & which specific century you’re talking about). But for playing a Venetian courtesan at renaissance faires this year, I needed a specific type of undershirt, the
Some time ago, my good friend Sarah collected some historical images documenting 16th-century women wearing crowns, because it often seems like a rare thing. We see queens & female nobility of earlier eras decked in towering regalia, but crowns / coronets / tiaras / diadems & the like almost go out of fashion for the
Or why experimental archeology is sometimes better than pure research. I could have wracked my brain & search-fu & the library hunting down references to the heuke & this elusive duck-bill cloak. (Hell, it’d be easier for this anti-gun pacifist to learn to shoot & then track down & kill an actual duck!) But I
Sometimes, you just want to go to an event, even if the historical era is not your bag, baby. Maybe you’re trying something new, maybe the event sounds like fun because it’s at a fabulous venue or it has a great combo of activities, or maybe all your friends are going, or it could be
I haven’t been able to sew for weeks now due to an eye infection that’s limiting the fine, detail vision in my right eye. So I’ve made minimal progress on the actual Flemish gown — I did pleat the skirt & try to sew it to the bodice, but it kind of looks like monkeys
When you’re just starting out in this wonderful world of costuming, you tend to use what’s easy and fast. This is no crime, we’ve all done it, that’s to be expected. If you want to lace up a garment, you need to reinforce the lacing holes so they don’t wear out, and you find some
The heart-shaped cap most famously worn by Mary Queen of Scots goes by many names and its construction has been up for debate. The style was not just worn by this queen — it was common among upper-class women of the late 16th century in England and France. While modern costumers may know it as
The Flemish gown research has become an excuse to make funny hats. YAY!!!! Because there are few things I love more than wearing crazy things on my head. First, I thought, oh sure, I’ll need some nice little linen cap. Then it looked like maybe a new type of wired cap a la Netherlands (because,
And not just because I’ve had a head cold for the past week (yeah, Flemish, not phlem-ish, har har). I started a little sewing this weekend. Kendra gave me an old project of hers, when I bought a bunch of wool from her last year. It was originally her 1560s nuremburg dress from ages ago,
I have an itch to revamp the Veronese overgown in time for Folsom Renaissance Faire, since it looks like the Chateau Rose will be attending in one form or another. And if I can’t have an actual new gown, the next best thing is to remake an old one. My idea is to make it
At the San Jose Renaissance Faire this August, Sarah and I finally came up with a fantastic idea for what our renfaire personas and gig would be. This was the first renfaire either of us had worked in a million years, and the first one all of us were working together under the “guild” of
This article is an accompaniment to a lecture and demonstration class I taught at the SCA West Kingdom’s Collegium Occidentalis XLV in November 2010 and at Costume College in July 2011. It’s intended as a practical lesson in how to recreate the look of upper-class hair fashions of late 16th-century England. The first half of
By Lady Violet Ruthvene in the SCA This is an accompaniment to a lecture class I taught at the West Kingdom Arts and Sciences Tourney in June 2011. The goal is to help people in the Society for Creative Anachronism who want to start teaching classes in the SCA. This is the handout I gave,