Remember that 18th-c. Does 17th-c. Masquerade Gown that I was so excited about, but then got almost finished making and hated it? When planning for Carnevale 2025, I came upon a way to resurrect it into something more me that I could love — and get multiple uses out of. The party theme was Cabinet
It’s been a long time coming, but I finally finished Leonard’s pink suit! I made the pants and waistcoat back in 2023 and commissioned the matching coat around then too. But I never got around to trimming the coat until I was inspired to wear the whole outfit for the Salon at Palais Royal event
Sometime in early to mid 2024, I got a hankering for a new 16th-century outfit. No reason, nowhere to wear it, just wanted one. And not necessarily a fancy one either. I decided to order the Tudor Tailor pattern for a woman’s round gown and see how that made up. Although first, I realized I
Carevale 2024 was the year of last-minute costumes for me! I normally hate last-minute sewing and try to plan things out so I’m done well before the event or trip. And I was this year! But I also got new ideas about a month before leaving for Venice so… One of the events was “A Night
Sometime around Christmas before Carnevale 2024, I heard about a new costumed meetup, a Toybox Afternoon Tea at the Hotel Danieli. The theme was enchanted childhood and toys, which didn’t interest me at first. But then I was looking through my stash and saw this pink patchwork stuff (I think it was a bedspread?) that
The Bella Donna Historical Performers were invited to perform at Carnevale in Venice for the Boticelli’s Primavera Dinner. While I don’t sing with the group, I’m a supporting member and needed to dress the part. Alas, my old black and gold gown was in sorry shape, and the bodice no longer fit. Also, I’d always
This spring, I was planning on a sabbatical in London, and near the same time, Kendra was going to be in Paris. She found out about a historical ball with an 1870s theme and asked if I wanted to go. Sure! But I didn’t have anything appropriate to wear. Well, I did have an 1870s
Despite my oft-stated distaste for Regency / Empire / 1790s-1820s costume, that’s what I’ve made and worn for all of 2021. I guess that’s what global pandemic does to you? Weird. Really freakin’ weird. Well, as easy as it was to sew that pelisse and evening gown, that was all I wanted to have to
At least two years ago, I was inspired by the HBO series Gentleman Jack (2019) to start a jacket with the intention of recreating this outfit worn by Anne Lister: I mean, really, I already had a vintage top hat! So I started with a basic Period Impressions pattern, fitted it to me, and cut
Of all the things to help bring back my costuming mojo during the pandemic, I never thought it would be a Regency romance! But Bridgerton is so ridiculously over-the-top and plays with historical fashion in a way that sang to my DGAF-ness of the times. Also, it’s a known issue that I despise the typical
One of the events I planned to attend at Venetian Carnevale 2020 was the “red party” held by friends — it was a dinner where guests had to wear a little bit or a lot of red. I went through quite a few costume concepts for this one because I thought I’d wear something from
For Venetian Carnevale 2020, I wanted some kind of harlequin outfit because that’s so iconically “carnevale.” But it had to be in my favorite gothic colors, and I couldn’t find any fabric remotely close to that. The obvious solution was to make my own, but wow, that sounded difficult! So I talked to my mom
Many of us have seen this delightful painting with an 18th-c. gent wearing leopard-print breeches and waistcoat. It’s the generically named “An Interior with Elegant Company” by Venceslao Verlin (d. 1780). While I can’t find much about this specific painting, there are other images from around 18th-c. Europe of men and a few women wearing
This is a custom-made Venetian courtesan gown commission for Lady Léa de Villaverde, first worn at the SCA West Kingdom 12th Night, January 2015. Materials were provided by my client. She wanted a late 16th-century Venetian gown in the classic “courtesan” style with the ladder-laced front, made of a rich damask from her fabric stash.
In May, I was honored to be chosen as one of Queen Etaine’s artisans. In the SCA’s West Kingdom, the Queen’s Artisans are people (non-Laurels) recognized for their artistic ability and usually given some creative goal to work on during the reign. Since Etaine is a costuming Laurel, she had a very specific and exciting