Also know as my goth courtesan gown. I’ve wanted something like this ever since I joined Bella Donna Historical Performers, but it took a while for the right fabric to come along. And even then, I didn’t have the time to make it myself — so I commissioned Sarah to do it. But I did
I have a hankering to recreate Charlotte Brontë’s going-away dress, c. 1854. Specifically to wear at Costume College in 2015, since the theme will be “Plucked From the Pages,” aka books and literary characters. I have a pattern (really just a scaled diagram) taken from the actual dress that is at the Brontë Parsonage Museum
This is a custom-made Venetian courtesan gown commission for Lady Léa de Villaverde, first worn at the SCA West Kingdom 12th Night, January 2015. Materials were provided by my client. She wanted a late 16th-century Venetian gown in the classic “courtesan” style with the ladder-laced front, made of a rich damask from her fabric stash.
This is a custom-made French hood commission for Lady Elizabeth de Belcaire to go with a late 16th-century English outfit made by Mistress Elena Edgar and embroidered sleeves made by Elizabeth herself. It was first worn at the SCA West Kingdom’s 12th Night in January 2015. Since the fitted gown and kirtle were inspired by
Last year, Sarah and I started a West Kingdom Largess Makers group on Facebook, with the intent of encouraging more artisans in our SCA kingdom to make largess — that is, small gifts that royalty can give out, as they often need to. There’s a very active general-SCA largess makers group on Facebook, but we
Only a few days left until my 12th Night deadline to get all these commissions done! Eeep. Christmas tried to interfere, but at least I had finished my family’s handmade holiday gifts back during my Thanksgiving break. But still, I have SO much to do, no matter how well I schedule, plan, and to-do list
For a change, I’m not making anything for myself, and instead, I’m sewing a bunch of stuff for other people. In time for the SCA’s 12th Night, I took on a bunch of commissions to sock away a little money. It’s both stressful because I’m doing this after I work 40+ hours at my office
For the Investiture of the Prince and Princess of the Mists, I helped sew the outfit worn by her highness Marguerite. I made the yellow damask sideless surcote that was worn over a blue velvet gown made by Sarah. I also made a blue velvet and yellow silk hood that was worn under the coronet.
I’m moving webhosts, and I don’t know exactly how long it will take to get the site up and running on the new servers. So if you can see this, on either the old site or new one, there may be some broken links and images while I sort through things. Please be patient —
This year’s Halloween costume was inspired by Sarah telling me I had to do this, and the ladies in Bella Donna doing a black-and-white movie theme for the 2014 PEERS Bal des Vampyres. Since my friends there would be in somewhat related costumes, I acquiesced to Sarah’s demand (which was based on my super-short, post-chemo
It’s easier than you might think Have you ever dreamed of waking up in a canopied bed, throwing open the curtains to look out over rolling green hills, then dressing in your finest period costume to stroll about those hills with your best friends? Do you fantasize about candlelit dinners in wood-paneled rooms with you
In case you haven’t noticed, I kinda like to combine books and costumes a bit. Also, books and costumes and movies. So over on Frock Flicks for National Book Month, I rounded up my top five and bottom five movies adapted from books, with an emphasis on costume. There’s some Jane Austen, natch, and a
It started, as most projects do these days, with a Pinterest board. Or maybe it started even before that with this room layout tool, mentioned in an Offbeat Home post. Because what’s more fun than screwing around with make-believe room diagrams where you can rearrange things to your heart’s content? Anyway, it all came down
Did you know Kendra wrote a book? My BFF Kendra wrote an awesome book about how to style 18th-century hair & wigs, chock full of historical research & documentation. It was ready for sale at Costume College 2014, so I wanted to help promote it. I decided to wear the wig I modeled for her
One of my first fandoms was Doctor Who, and Tom Baker is my One True Doctor. So when Loren suggested doing femme versions of the Doctors for Costume College 2014, oh yeah, I had to make it happen. Even better, I realized I could do it with stuff I already had or things I could