The global pandemic, quarantine, lockdown, and all that really put a damper on my creativity and any interest or motivation I had to sew. I had one spurt of sewing-related energy back in April 2020, and I made this 1940s retro pattern, Butterick 6266, in bat-print fabric. All stash materials except for the belt buckle,
I bought this 1920s dress from LaVieDelight on Etsy several years ago, and I’m so pleased because it’s an actually flattering and also appropriate period shape. Many ’20s styles don’t work well on curvy bodies, but somehow this does. Plus, being a ‘little black dress,’ it’s perfect for accessorizing for different events. Which I’ve done!
One of the events I planned to attend at Venetian Carnevale 2020 was the “red party” held by friends — it was a dinner where guests had to wear a little bit or a lot of red. I went through quite a few costume concepts for this one because I thought I’d wear something from
One of the events my friends and I planned to attend at Venetian Carnevale 2020 was the Napoli Ball, and 1860s evening attire was requested. But Victorian ballgowns bore me, so I decided that Leonard should branch out from the 18th century. I bought a black wool tailcoat tuxedo, a waistcoat, and a shirt. I
For Venetian Carnevale 2020, I wanted some kind of harlequin outfit because that’s so iconically “carnevale.” But it had to be in my favorite gothic colors, and I couldn’t find any fabric remotely close to that. The obvious solution was to make my own, but wow, that sounded difficult! So I talked to my mom
Many of us have seen this delightful painting with an 18th-c. gent wearing leopard-print breeches and waistcoat. It’s the generically named “An Interior with Elegant Company” by Venceslao Verlin (d. 1780). While I can’t find much about this specific painting, there are other images from around 18th-c. Europe of men and a few women wearing
The final gown I wore to the Portland Vampire Masquerade Ball turned out pretty close to my vision. My mom helped out by doing a lot of the appliqué of the motifs on the forepart (though once I saw how the bat-shaped sequins looked, I had to sew them all over the stomacher myself). Accessories
I’ve only been wanting to make this gown for a decade. No lie — my first blog post about it was in 2009, and I’ve loved the portrait for longer. So for my birthday this year, I planned a fancy dress party where I would be the queen, wearing this dress, surrounded by my ‘court’
This has been a bucket-list costume for ages, yet I finally made it as a quickie last-minute version in less than a month. The occasion came about because Bella Donna Historical Performers were singing at the PEERs Bal des Vampires right after Halloween, and they decided that their costume theme would be around the Bram
A vintage 1910s black silk gown I found online. This November 2016 photoshoot by Sandra Brenchley (who also did the photo effects) was around the theme of a historical suffragette mourning the presidential election. We took these photos in the San Jose Rose Garden.
For the Costume College 2015 Gala, I wanted to go along with that year’s “Plucked From the Pages” literature theme. And one of my all-time favorite book characters is Cathy’s ghost in Wuthering Heights by Emily Brontë. It’s such an iconic scene from gothic literature. Of course, I’ve made this costume before back in 2002
Two things you need to know about this dress: 1) Marguerite du Royon‘s heraldry is purple and gold with three fleur de lys, 2) Marguerite started her reign as Princess of the Mists wearing 1490s and has proceeded to wear later and later garb until this, the end of her reign, where she wanted to
When the Greater Bay Area Costumers Guild announced a Game of Thrones event at the glorious Castello di Amarosa winery in Calistoga, February 2015, I really wanted to go. For a while, it seemed like finances would conspire against me, but I had a little help from my friends, and the plan came together. But
Also know as my goth courtesan gown. I’ve wanted something like this ever since I joined Bella Donna Historical Performers, but it took a while for the right fabric to come along. And even then, I didn’t have the time to make it myself — so I commissioned Sarah to do it. But I did
This is a custom-made Venetian courtesan gown commission for Lady Léa de Villaverde, first worn at the SCA West Kingdom 12th Night, January 2015. Materials were provided by my client. She wanted a late 16th-century Venetian gown in the classic “courtesan” style with the ladder-laced front, made of a rich damask from her fabric stash.