When the Greater Bay Area Costumers Guild announced a Game of Thrones event at the glorious Castello di Amarosa winery in Calistoga, February 2015, I really wanted to go. For a while, it seemed like finances would conspire against me, but I had a little help from my friends, and the plan came together. But
Also know as my goth courtesan gown. I’ve wanted something like this ever since I joined Bella Donna Historical Performers, but it took a while for the right fabric to come along. And even then, I didn’t have the time to make it myself — so I commissioned Sarah to do it. But I did
I have a hankering to recreate Charlotte Brontë’s going-away dress, c. 1854. Specifically to wear at Costume College in 2015, since the theme will be “Plucked From the Pages,” aka books and literary characters. I have a pattern (really just a scaled diagram) taken from the actual dress that is at the Brontë Parsonage Museum
This is a custom-made Venetian courtesan gown commission for Lady Léa de Villaverde, first worn at the SCA West Kingdom 12th Night, January 2015. Materials were provided by my client. She wanted a late 16th-century Venetian gown in the classic “courtesan” style with the ladder-laced front, made of a rich damask from her fabric stash.
This is a custom-made French hood commission for Lady Elizabeth de Belcaire to go with a late 16th-century English outfit made by Mistress Elena Edgar and embroidered sleeves made by Elizabeth herself. It was first worn at the SCA West Kingdom’s 12th Night in January 2015. Since the fitted gown and kirtle were inspired by
Last year, Sarah and I started a West Kingdom Largess Makers group on Facebook, with the intent of encouraging more artisans in our SCA kingdom to make largess — that is, small gifts that royalty can give out, as they often need to. There’s a very active general-SCA largess makers group on Facebook, but we
Only a few days left until my 12th Night deadline to get all these commissions done! Eeep. Christmas tried to interfere, but at least I had finished my family’s handmade holiday gifts back during my Thanksgiving break. But still, I have SO much to do, no matter how well I schedule, plan, and to-do list
For a change, I’m not making anything for myself, and instead, I’m sewing a bunch of stuff for other people. In time for the SCA’s 12th Night, I took on a bunch of commissions to sock away a little money. It’s both stressful because I’m doing this after I work 40+ hours at my office
For the Investiture of the Prince and Princess of the Mists, I helped sew the outfit worn by her highness Marguerite. I made the yellow damask sideless surcote that was worn over a blue velvet gown made by Sarah. I also made a blue velvet and yellow silk hood that was worn under the coronet.
I’m moving webhosts, and I don’t know exactly how long it will take to get the site up and running on the new servers. So if you can see this, on either the old site or new one, there may be some broken links and images while I sort through things. Please be patient —
This is the presentation to accompany the lecture I gave at Costume College 2009. The topic was the “macaroni” subculture in 18th-century England, particularly as shown in satirical caricatures of the period. Call It Macaroni: The 18th-Century Fop – Costume College 2009 class PDF In addition to numerous prints found online via the British Museum,