Lockdown was a drag, and I didn’t feel like sewing anything but I had the idea to commission stuff. At some point in 2021, I requested a custom version of this Spanish 16th-century gown from Fiorentina Costuming on Etsy. The fit and workmanship is great, and the style is exactly what I wanted. Highly recommended and
Two things you need to know about this dress: 1) Marguerite du Royon‘s heraldry is purple and gold with three fleur de lys, 2) Marguerite started her reign as Princess of the Mists wearing 1490s and has proceeded to wear later and later garb until this, the end of her reign, where she wanted to
This is a custom-made Venetian courtesan gown commission for Lady Léa de Villaverde, first worn at the SCA West Kingdom 12th Night, January 2015. Materials were provided by my client. She wanted a late 16th-century Venetian gown in the classic “courtesan” style with the ladder-laced front, made of a rich damask from her fabric stash.
This is a custom-made French hood commission for Lady Elizabeth de Belcaire to go with a late 16th-century English outfit made by Mistress Elena Edgar and embroidered sleeves made by Elizabeth herself. It was first worn at the SCA West Kingdom’s 12th Night in January 2015. Since the fitted gown and kirtle were inspired by
Only a few days left until my 12th Night deadline to get all these commissions done! Eeep. Christmas tried to interfere, but at least I had finished my family’s handmade holiday gifts back during my Thanksgiving break. But still, I have SO much to do, no matter how well I schedule, plan, and to-do list
For a change, I’m not making anything for myself, and instead, I’m sewing a bunch of stuff for other people. In time for the SCA’s 12th Night, I took on a bunch of commissions to sock away a little money. It’s both stressful because I’m doing this after I work 40+ hours at my office
For the Investiture of the Prince and Princess of the Mists, I helped sew the outfit worn by her highness Marguerite. I made the yellow damask sideless surcote that was worn over a blue velvet gown made by Sarah. I also made a blue velvet and yellow silk hood that was worn under the coronet.
Taking my dip into “early period” to new heights … This started as a cheesy dress bought on eBay just to kick around camp, probably on Sundays, maybe in summer (since it’s a fairly lightweight cotton). I bought a size based on my hip measurement, knowing I’d have to fit the bodice down, plus hack
Because apparently “early period” will get to you if you hang around in SCA long enough. Made using the same pattern drafted for my gothic gothic fitted dress. In a linen-rayon blend & fully lined in old bedsheets (because I hate the feel of linen touching my skin). The sleeves were patterned from a pastiche
If you’ve looked around my website or seen me at SCA events, you might have noticed I’m really fond of 16th-century clothing. And I don’t go much earlier than this era. In fact, I often joke that 1530 is “early period” for me (when, in SCA circles, “early period” means Norse, Viking, even Roman garb).
Research and Theories: Linen caps and coifs are a well-known part of the Elizabethan wardrobe for women and even men. In their simplest form, plain linen caps were worn at all levels of society, often as a protective layer between the hair and a hat or even as a nightcap. Many women’s embroidered coifs survive
You’d think I would have made one of these by now, given that “Elizabethan” is my One True Costuming Love & late 16th-century lowland Scots is my SCA persona. But no, I’ve yet to make the ever-practical English fitted gown. So it’s about time. You’ve seen all the period images before, but I’ve added a
Making lemonade out of lemons — since my hair fell out from chemo, this seems like a good time to go for one of those freaky-cool shaved-forehead styles that has popped up in various points of history. Go big or go home! At first, I though of Burgundian 1470s. It’s a period I don’t know
At Purgatorio 2013, we premiered Gianetta’s new outfit, a Venetian 1580s gown, to complete the obligation of my Queen’s Artisan duties. However, the outfit isn’t entirely done — I still have accessories to make (such as the partlet with ruff, camicia with Liz’s embroidery, & a jeweled cap), & I intend to pearl & bead
Breaking into the Accessory Challenge to catch up on my Queen’s Artisan project — because it’s due on August 24 at Purgatorio! While I was assigned this project at the start of May, I got a late start because I was out of town due to the France trip until early June. And right after